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Music Industry 07 December, 2018

Global Markets To 2022: Apple, CBC/Radio-Canada, Deezer, iHeartMedia, Pandora Media, And Spotify Are Dominating

Hot Songs Around The World

Birds Of A Feather
Billie Eilish
811 entries in 25 charts
Blank Space
Taylor Swift
377 entries in 24 charts
Die With A Smile
Lady Gaga & Bruno Mars
630 entries in 29 charts
That's So True
Gracie Abrams
296 entries in 21 charts
APT.
Rose & Bruno Mars
405 entries in 29 charts
Happy
Pharrell Williams
1286 entries in 35 charts
HeatWaves
Glass Animals
1410 entries in 26 charts
Blinding Lights
Weeknd
1849 entries in 33 charts
Tu Falta De Querer
Mon Laferte
207 entries in 3 charts
Stargazing
Myles Smith
461 entries in 20 charts
Espresso
Sabrina Carpenter
836 entries in 27 charts
A Bar Song (Tipsy)
Shaboozey
762 entries in 22 charts
Bad Dreams
Teddy Swims
213 entries in 19 charts
Sailor Song
Gigi Perez
293 entries in 19 charts
Global Markets To 2022: Apple, CBC/Radio-Canada, Deezer, iHeartMedia, Pandora Media, And Spotify Are Dominating
New York, NY (Top40 Charts) The "Global Music on Demand Market 2018-2022" report has been added to ResearchAndMarkets.com's offering.
The global music on demand market will register a CAGR of almost 12.37% by 2022.

One trend affecting this market is the emergence of multi-room streaming. According to the report, one driver influencing this market is the surge in subscription-based services. Further, the report states that one challenge affecting this market is the free music access to users through modified apps.
The market appears to be concentrated due to the presence of a few companies. Factors such as the growing use of wearable technology and surge in subscription-based services will provide considerable growth opportunities to music on demand manufactures.

Market Trends:

Key Vendors
Increase in the Adoption of Cloud Services
Growing Use of Wearable Technology
Emergence of Multi-Room Streaming

Apple
CBC/Radio-Canada
Deezer
iHeartMedia
Pandora Media
Spotify

PART 01: EXECUTIVE SUMMARY

PART 02: SCOPE OF THE REPORT

PART 03: RESEARCH METHODOLOGY

PART 04: MARKET LANDSCAPE
Market ecosystem
Market characteristics
Market segmentation analysis

PART 05: MARKET SIZING
Market definition
Market sizing 2017
Market size and forecast 2017-2022

PART 06: FIVE FORCES ANALYSIS
Bargaining power of buyers
Bargaining power of suppliers
Threat of new entrants
Threat of substitutes
Threat of rivalry
Market condition

PART 07: MARKET SEGMENTATION BY TYPE
Segmentation by type
Comparison by type
Music streaming - Market size and forecast 2017-2022
Radio on demand - Market size and forecast 2017-2022
Market opportunity by type

PART 08: CUSTOMER LANDSCAPE

PART 09: MARKET SEGMENTATION BY END-USER
Segmentation by end-user
Comparison by end-user
Individual users - Market size and forecast 2017-2022
Commercial users - Market size and forecast 2017-2022
Market opportunity by end-user

PART 10: REGIONAL LANDSCAPE
Geographical segmentation
Regional comparison
Americas - Market size and forecast 2017-2022
EMEA - Market size and forecast 2017-2022
APAC - Market size and forecast 2017-2022
Key leading countries
Market opportunity

PART 11: DECISION FRAMEWORK

PART 12: DRIVERS AND CHALLENGES
Market drivers
Market challenges

PART 13: MARKET TRENDS
Increase in the adoption of cloud services
Growing use of wearable technology
Emergence of multi-room streaming

PART 14: VENDOR LANDSCAPE
Overview
Landscape disruption

PART 15: VENDOR ANALYSIS
Vendors covered
Vendor classification
Market positioning of vendors
Apple
CBC/Radio-Canada
Deezer (subsidiary of Access Industries)
iHeartMedia
Pandora Media
Spotify






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