NEW YORK (DIGITAL MOBB MUZIK) - As people across the world gear up for the next 365 days and plan their new years resolution's, the family of
Digital Mobb Muzik is gearing up for a barrage of hits from the producer that exploded on the underground and flooded the streets with classic remix albums in 2004, Fatz Belvedere.
From Mobb hits volume one, that gave the classic
Lil' Kim street remix 'Sound of goodbye' to the now infamous 'Tupac remixed and revisisted' that from the rumor mill had said the notorious Suge Knight was behind to a arsenal of countless remixes, Fatz Belvedere has solidified his position in line to step up and unleash to the industry his brand of eclectic hip hop and r&b that industry insiders have coined him as the next Timbaland.
2004 saw the birth of a fresh new sound and a fresh new face in hip hop. From endless rejection came respect and in august of 2004, Fatz was granted two prestigious awards. Remix producer of the year and Underground producer of the year at the second annual UMA'S in New York.
He then went on to work with a veteran of this hip hop game, Masta Ace, as they began the sessions for the now classic 'A long hot summer' LP. As his status in the industry grew threw the mixtapes, working with Masta Ace and all the remixes he was flooding the market with, rumors had begun circulating within the industry and all over the internet of his involvement and association with Death Row records and his relationship with its leader, Suge Knight.
With pictures and eye witness accounts, the industry began to turn their backs on Fatz because of those rumors but he continued to press on, releasing countless remixes, albums and vinyl to the streets. Regardless of whether those rumors were true, his work could not be denied.
His first couple of volumes of remixes included Reworks of Missy, Lil' Kim, Kanye West, Cassidy, Alicia Keys, Petey Pablo, Pitbull , Fat Joe and others. The artists themselves began getting wind of his work and soon the labels came calling. Rumor had it that he was flown out to L.A and approached by Mr. Knight to work on some Tupac records he wanted re-released, but those were never confirmed. What had been born was a record, among a sea of other Tupac tribute records, that had a new twist.
The album had given Tupac a fresh look, spearheaded by the now classic remix of the Pac and John B. 'R U Still down.' The mixtape dj's and radio show dj's could no longer deny his talent and his vision and in September of 2004, Digital Mobb Muzik entered into a deal with Big Face records to manage and oversee the career of hip hop's best kept secret.
Big Face records had built its reputation by representing names such as Joe Budden, Fabolous, DJ Clue and more. The stage was set for the emergence of the breathe of fresh air that hip hop was in desperate need of.
Through his relationships he built with various record labels and executives, none was as fruitful as the bond he built with His mentor, Timbaland and manager Mike daddy. They oversaw every step of his career and look forward to his success in 2005. On deck are his remixes of Scarface with country legend Johnny Cash, Original production for Timbaland, Alicia Keys, Joe Budden, Stack Bundles, Wordsworth, Punchline and more... Witness firsthand the re-birth of hip hop...
Management contact: Fred 'Big Face' Sample, (917) 416-2573 & Frank Montana, (516) 749-6064
Publicity contact: Epigram communications, Brian Pringle (212) 397-4696
Legal: Robert Celestin, esq. (212) 262-1103
A&R consultation: Collective Entertainment (917) 214-7855
